Fiction Writing on Twitter

Written by: Casey Miles

Primary Source: Writing Rhetoric and American Cultures

Have you heard of the storyella? What about twiterature? Been following #TwitterFiction? Or how about WRAC’s very own #endthisstory? Claire Armitstead, writing for The Guardian, asks “Has Twitter given birth to a new literary genre?” She notes that the key to successful Twitter fiction is connectivity; writers reaching to the past, to other users, then spreading their story out over a day, a week. My take on Armitstead’s question is not about a new genre, rather how does Twitter alter – remix, if you will – storytelling in general?

The following two tabs change content below.
Casey Miles
Casey Miles is PhD student in Rhetoric & Writing, with a master’s degree in Digital Rhetoric & Professional Writing. Casey’s research focuses on queer rhetorics, specifically looking at butch ways of knowing, doing, and being in academic spaces, as well as documentary and video composition. Casey continues to work on her documentary series, The Gender Project, which explores gender, gender identity, and sexuality in everyday lives. Follow her on Twitter @soulsmiles