Written by: Johanna Schuster-Craig
Primary Source : New Europe – Europe and Migration, November 8, 2015
As I write this, PEGIDA is posting updates to their Facebook feed after today’s march to the Border Crossing E48 near Schirnding in Bavaria. My feed is clogged with their posts of images of people carrying long banners that say things like “Hand in Hand für unser Land” (Hand in Hand for our Country) and “Wir helfen beim Grenzbau” (We’ll help build the border), which is also the name of a new Facebook Community. According to the post about this event, Czechs will simultaneously demonstrate on the other side of the border. One of the hashtags they are using is #GrenzenRettenLeben – #BordersSaveLives. According to the MDR, this highway corridor along E48 is not where the most refugees are crossing the border. I cannot find information as to whether this demonstration was registered or not – generally political protests must be registered, but recently people have been demonstrating in Saxony without properly informing the authorities.
Early last month, Wir helfen beim Grenzbau posted a video to YouTube about a similar action. An anti-fascist group in Munich described the protest as follows:
Over a thousand (Sächsische Zeitung), possibly even 2,500 (dpa) racists took part on October 4, 2015 on a demonstration against asylum-seekers called “We’ll help build the border” in the Saxon town of Sebnitz. Originally they announced a human chain at the border crossing that was supposed to form a “living border”, but that was not realized. Instead, the right-wingers marched through the city. The organizers then announced that they would repeat the demonstration […] in Bavaria.
The video of the original demonstration in Sebnitz consists solely of hazy footage of the march through Sebnitz, a town slightly southeast of Dresden on the Czech border.
This footage is highly aestheticized: filtered for light, hovering on children protesting with their families, capturing several residents standing on their balconies applauding the demonstrators. The soundtrack is the kind of urgent light piano accompaniment for a fictionalized drama designed to tug on our heartstrings. The PEGIDA-preferred German flag – a Nordic cross in German colors – features prominently.
I wrote here about the Center for Political Beauty and their push to develop a performative response to the crisis which is ironic, starkly aestheticized, and critical of traditional political approaches to problem solving. This video is the exact opposite: earnest, adamant, reductive. By lingering on children and large numbers of people marching through the streets, the Sebnitz video calculatingly inverts the footage often seen of refugees crossing the border. The soundtrack and the images romanticize hate by making it seem harmless, just as this propaganda video by a Russian media outlet turns the horrors of war in Syria into romantic battle footage. This inversion represents the foundational twist of PEGIDA-Dresden: their rhetoric is hateful while their self-styling is bourgeois.